2019/01/18 created
2023/10/16 updated
This page introduces the audio devices Tonochi built for Gaudi and Gaudi
II.
Brand (NOBODY) and model numers are given to each component (for a playful
touch).
Lineup
The model #1 through #15 are audio devices built for Gaudi, except #12
(SS-312). SS-312 was built for the subsystem for the study room (the subsytem
was named Kinglet in April 2019).
The model #16 or later are devices built for Gaudi II.
(To jump to the page of each device, click the image)
-
MV-217 X'tal
Solid state 2-ch electronic master volume
Module: AEDIO EVR-03-01, XP Power EML15US24-T
Input: LINE IN x2
Output: PRE OUT x1
F-range: DC-500kHz (-0.3dB) -
AR-416 Air
5-tier wooden audio rack
w/ granite board & spikes
Dimension: 548(W) x 1041(H) x 458(D) ㎜, 33.8kg -
MA-215 Arabesque
Solid state stereo power amplifier for squawker
IC: TI (NS) LM3886 x2
Output power: 1W+1W (8 ohm)
F-range: 40Hz-20kHz (-1dB) -
PE-114 Petit
Solid state stereo phono EQ amplifer for MC cartridge
Op amps: LT LT1115 x2, LT1010 x2
Circuit type: NFB type, Gain: 66dB (@1kHz)
Input impedance: 100 ohm -
HA-213
Stereo MC head amplifier
Gain: 30dB
Op amps: LT LT1115 x2, LT LT1097 x2
Input impedance: 100ohm -
SS-312A
Single unit speaker system
LS unit: Fostex FF105WK (10cm full-range)
Enclosure: vented type (rear port) -
CD-211B A-NET
Solid state stereo channel divider
Crossover: 800Hz (18dB/oct), 6800Hz (18dB/oct)
Op amps: BB OPA627 x8, NS LF411 x14 -
PA-210 Simplicity
Tube stereo preamplifer
Tubes: 12AX7/ECC83 x2, 12AT7/ECC81 x2, 12AU7/ECC82 x2
Circuit type: CR type phono EQ、non-NFB flat stage
Inputs: PHONO x1、LINE x4
Outputs: EQ OUT x1, PRE OUT x1
RIAA deviation: +/-0.3dB (20-20,000Hz) -
SS-309B Trad
3-way floor standing speaker subsystem
LS units: Fostex T925A, Classic Pro ED3402+H4401, Fostex FW305
Enclosure: closed type (woofer box) -
MA-208
Tube stereo power amplifier
Tubes: 12AX7/ECC83 x2, 6BQ5/EL84 x4, 5AR4/GZ34 x1
Circuit type: Altec type, Output stage: UL-PP
Output power: 10W+10W, F-range: 10Hz-50kHz -
SS-307C
3-way speaker system
LS units; Fostex T925, Fostex 6N-FE88ES, Fostex FW305
Enclosures: vented type (squawker box), vented type (woofer box) -
CD-206B
Solid state stereo channel divider
Crossover: 800Hz (18dB/oct), 8000Hz (12dB/oct) -
MA-205A
Tube stereo power amplifier
Tubes: 6GW8/ECL86 x4
Circuit type: Altec type, Output stage: triode PP
Output power: 3.6W+3.6W
F-range: 15Hz-100kHz -
PS-104
Analog disc player
Turntable: direct drive
Servo control: crystal lock (on/off switchable)
Rotational speed: 33 1/3rpm, 45rpm
Tonearm: S-shape static balance type -
PA-203
Tube stereo preamplifier
Tubes: 12AX7/ECC83 x2, 12AU7/ECC82 x2
Circuit type: CR type phono EQ, Non-NFB flat stage
Inputs: PHONO x1, LINE x3, TAPE MONITOR x2
Outputs: RECOUT x2, PRE OUT x2
RIAA deviation: +/-0.3dB (20-20,000Hz) -
PA-202
Tube stereo preamlifier
Tubes: 12AX7/ECC83 x6
Circuit type: CR-NF phono EQ、P-K feedback flat stage, LUX type tone control
Inputs: PHONO x2, LINE x2, TAPE MONITOR x1
Outputs: REC OUT x1, PRE OUT x2 -
MA-201C
Tube stereo power amplifier
Tubes: 6AU6A x2, 6FQ7 x2, 6CA7/EL34 x4, 5AR4/GZ34 x2
Circuit type: Mullard type, Output stage: UL-PP
Output power: 30W+30W, F-range: 12Hz-50kHz
What is NOBODY?
NOBODY is a private brand for Tonochi's DIY audio equipment. Just to be sure, please note that it is not a name of a company or an organization.
I've been giving this brand to the audio devices used in Gaudi and Gaudi II. Now I also give it to the devices used in Kinglet.
Origin of the Name
When I started Gaudi Project, I gave only model numbers to my works such as MA-201, PA-202... As the number of the works increased, I wanted a brand name. I selected the word 'NOBODY' in my early twenties (around 1980), if I remember correctly.
In my belief, audio equiment is just a measure to reproduce music, and it's not the leading character; The true leading character is music; The audio equipment should be inconspicuous like kuroko(a stage assistant dressed in black) in kabuki theater. Nobody means no existence. This is the reason why I chose the word.
I fixed the logotype of NOBODY and began affixing it on my works in 2003. The first work having the logo is PA-210 Simplicity.
Catchphrase
I'm NOBODY!
Literally, it means "I am not anyone!" It is based on my belief that audio devices should be inconspicuous like a kuroko (a stage assistant in Kabuki theater dressed in black). I myself am an inconspicuous man, so I think it is a catchphrase suitable for me. On the other hand, it also means NOBODY-branded audio devices are unique and can't be stereotyped.
On the previous version of my website (Tonochi's Audio Room), the following phrase was used as a catchphrase.
NOBODY can exceed the edge!
If you interpret NOBODY as a pronoun, it means "no one can exceed that edge", but interpreting it as a proper noun, it means "NOBODY can exceed that edge." In other words, only NOBODY can go beyound the edge that no one can exceed.
This is too arrogant, so I changed the catchphrase. Anyway, I don't intend to be audacious. This catch phrase is a half-joke copy.
Model Numbering System
Every NOBODY-branded work has its unique model number. The model number
is defined as shown in the table below.
For example, the first work, which is a power (main) amplifier, is MA-201.
A suffix (A, B, C, ...) is added after the equipment is greatly improved.
MA-201 has been improved three times, so the current model number for it
is MA-201C.
First two letters | Third letter | Fourth letter | Fifth & sixth letters | Suffix |
---|---|---|---|---|
[Device name] AR: Audio rack CC: Control center CD: Channel divider (crossover network) HA: MC head amp MA: Power (main) amp MV: Master volume PA: Preamp PE: Phono EQ amp PS: Player system SS: Speaker system, speaker subsystem |
- (hyphen) | [Category] 1: Player 2: Amp 3: Speaker 4: Accessory |
[Serial number] | [Revision] A, B, C, ... |
Design Policy
I have also changed the design policy.
- The specifications of the NOBODY audio device must conform to the system design of Gaudi II (excluding a device for subsystem).
- The design should be simple, composed of the small-as-possible number of parts, and not using costly parts.
- Do not take excessive margin.
- Come up with various ideas in order to realize "Goal of Gaudi II".
- Measurement must be made according to Tonochi method (some data are measured under stricter conditions than industrial standards).
- The final evaluation must be made by listening trials (sound quality is the criterion). Data like THD, SNR, etc. are considered to be reference data only.
- The target useful life is 50 years. Amplifiers should be usable for 25 years or longer without any maintenance.
For your information, the design policy for old Gaudi is as follows:
- The specifications must comply with Gaudi's system design (except equipment for the 2nd system).
- Simple (the number of parts is small) and not costly.
- Not having excessive margins.
- In order to achieve 'Goal of Gaudi Sound', tuning and improvements have been repeatedly carried out.
- The target lifespan: Fifty (50) years