Signboard of Tonochi's Audio Room       Site Map日本語
Home Gaudi NOBODY About Me Misc Info Contact
Home > Gaudi > Gaudi in 2015 2015/01/11 created
2016/07/17 updated

Gaudi in 2015

I have been developing my audio system Gaudi since 1974, but it is still not completed yet. In November 2012, it became nearly what I had planned in 1974 (block diagram), but it has been at a standstill since then. Completion of the midrange amplifier MA-215 Arabesque will complete Gaudi at last. Though I finished the design of MA-215 and purchased all the parts and materials for it, I haven't begun building it.
The differences from the last year's Gaudi are removal of the FM/AM tuner (SONY ST-S333ESJ) and change in the AC power connection.
[Block diagram]

Gaudi in 2015

I am suspending building the power amplifier MA-215 Arabesque, because, as I explained on the page of Gaudi, I gave up completing Gaudi and began designing Gaudi II. Anyway, the completion of MA-215 doesn't mean the completion of Gaudi, because MA-215 is a solid state amp and it doesn't comply with Gaudi's original system design where the preamp and all the power amplifiers are tube type.
I am planning to build MA-215 in the near future, but I don't expect so much, because It is the first solid state power amp I designed. I regard it as a prototype of power amplifiers used in Gaudi II. I consider that all the amplifiers in Gaudi II should be solid state type. I am going to design superb amplifiers for Gaudi II based on MA-215 (I might use MA-215 in Gaudi II if it would be better than I expect).

I decided to get rid of the FM tuner from Gaudi to simplify the system. Another reason is that FM broadcast, which was once called 'Music Wave', became less attractive as non-musical programs such as talk programs or even sports programs have outnumbered music programs.
I miss good-old-days FM broadcasting. My first step to build my own audio system was obtaining a stereo FM radio at age of 13. I built a loudspeaker system and connect it with the radio to accomplish a fairly good sound quality. Since then, listening to FM has been a part of my daily life. I've encountered many kinds of music I hadn't known before through FM.
From now on, I listen to FM with my second system in my study room.

For replay of music files, I continue to use the digital recorder KORG MR-2000S as a digital player. As mentioned below, it sounds a little better than before, though, the sound quality of CD spec files (44.1kHz/16bit WAV) seems to be a bit worse than that of SONY SCD-555ES playing the original CDs. In addition, MR-2000S does not accept long file names and file names including 2-byte code, and it cannot replay compressed PCM files like FLAC (only MP3 is OK). I need a digital player that can replay all sorts of music files in high sound quality.
So far, SONY HAP-Z1ES is the one (as of January 2015). I auditioned it at an audio shop where I am a regular customer. It sounded so good.

I have been evaluating PC-based audio system by using the USB DAC, KORG DS-DAC-10. I concluded the highest sound quality cannot be achieved with this kind of system, chiefly because PC is the source of electromagnetic and acoustical noises. I think I won't be satisfied even if I use more expensive USB DAC (I'll describe the details in the page of Misc Info later).

When I got rid of the FM tuner from Gaudi, I took the opportunity to check the AC line connection.
First, I disconnected the power strip for TV and related devices from the wall outlet for audio, and connected it to an ordinary wall outlet. These devices are fully digital devices and don't need high quality AC line. The power strip had been connected to the wall outlet for audio since me and my wife moved to this house, when we had an analog TV.
Second, I connected KORG MR-2000S directly to the wall outlet for audio. Until then, it was connected to the power strip for audio (Oyaide OCB-1). Since the OCB-1 doesn't have an earthing wire, MR-2000S used to be floating from the earth. However, the instruction manual of MR-2000S says it needs earthing. It seems to have a power supply circuit without a transformer, though this is not mentioned in the manual. I think this is the reason why it needs earthing.
Earthing made MR-2000S sound a little better (the wall outlet for audio has the earth pin).
Besides, I checked the connection of SCD-555ES and found it was connected in the wrong polarity! It has been wrongly connected probably since 2004, when the network CD-211 A-NET was installed. I corrected it and SCD-555ES came to sound a little better. The sound images got sharper.
By the way, the instruction manual of SCD-555ES doesn't say anything about the power line polarity. The instruction manual of ST-S333ESJ, which are older and less expensive than SCD-555ES, even says the correct polarity makes the sound quality better. Did the designer of SCD-555ES believe the power line polarity wouldn't affect the sound quality?
the current AC line connection

Experts say that a device with larger power consumption should be connected to an outlet nearer the switch board. But I have a different opinion. I think the the current variation range of the device is more important than the total power consumption.
The most power consuming device in Gaudi is the power amp for the woofers, MA-201C. It is a push-pull tube amp. The current supplied from the power supply circuitry to the output stage doesn't change so much, even when the output power changes greatly. The output stage is nearly a constant load viewed from the power supply circuitry. This is because the amp has output transformers (detailed explanation is omitted here). The other stages consumes only small power. In addition, MA-201C has ten tubes including two rectifier tubes and the heaters consume more than 30% of the total power consumption. The heater currents are constant regardless of change of the output power.
The same goes for the power amp for the tweeters, MA-208.
The SACD player SCD-555E's power consumption is not large (21W), though, it has servo-controlled motor and actuators in it and the current through the power line changes impulsively. It turns into a noise in AC line by the common impedance of the power line. It may affect the other devices more seriously, because the noise is not related to the musical signals.
So I connected the SACD player directly to the wall outlet and the amplifiers via the power strips.

Equipment

 種類  機種  特徴  説明 リンク
Analog disc player NOBODY PS-104
NOBODY PS-104 
・Turntable:
SONY TTS-8000
・Tonearm:
GRACE G-1040
・Cartridge:
Audio Technica AT33PTG/II
I've been using it w/o major modification since 1982. I changed the cartridge from MM type to MC type in 2014. I'll continue to use it as long as it works. Details
MC head amplifier HA-213
NOBODY HA-213 
Head amplifier for MC cartridges
Gain = 30dB
This amplifier was designed as a headphone amplifier at first. Before completion, it was re-designed as the MC head amplifier. Though its design is not perfect, a certain level of sound quality has been achieved. Details
Digital player SONY SCD-555ES SACD/CD player First generation SACD player. Also excellent as CD player having useful features such as a digital filter selector.
I've been using this since 2001.
 
Lenovo ThinkPad X121e Music file player Laptop PC w/128GB SSD. The combination of this PC and DS-DAC-10 functions as digital audio player. It also functions as a measurement instrument w/PicoScope.  
Korg DS-DAC-10  USB DAC. The combination of this device and ThinkPad functions as digital audio player. The highest resolution is PCM 192kHz/24bit and DSD 5.6MHz.  
Digital recorder KORG MR-2000S-BK 1-bit digital recorder Digital recorder for studio use. It is also available in the retail market. The highest resolution is PCM 192kHz/24bit and DSD 5.6MHz.
It is used for recording vinyl discs and playing hi-res music files.
Amplifier    PA-210 Simplicity
NOBODY PA-210 Simplicity
Tube preamplifier
All stages are SRPP
CR-type phono equalizer
Non-NFB flat stage
Separate power supply unit
Tube preamp made in 2001-2003. Featured by out-and-out simplicity and low noise.  Details
CD-211A A-NET
NOBODY CD-211A A-NET 
Solid state
Three-way channel divider (network)
The first NOBODY-branded model that uses OP amps. Made in 2004. Revised in 2012.
Crossover frequencies:
800Hz(18dB/oct), 7200Hz(18dB/oct)
Details
MA-208
NOBODY MA-208 
Tube power amplifier
6BQ5 UL PP
Designed for horn-loaded tweeters.
Made in 1999.
Split load phase splitter; rectifying tube.
Output power: 10W+10W
Details
Flying Mole
DAD-M100pro HT
Monaural digital power amplifier Power amp for midrange.
Its sound is warm like a tube amp.
Output power: 100W (8ohm)
 
MA-201A
NOBODY MA-201C
Tube power amplifier
6CA7 UL PP 
The first NOBODY-branded equipment, made in 1974.
Used for woofers.
The current revision: C
Output power: 30W+30W
Details
Loudspeaker SS-309A
NOBODY SS-309A 
Three-way speaker system
*Tweeter:
Fostex T925A
*Midrange:
Fostex D1405+H400
*Woofer:
Fostex FW305 
12" woofer-based three-way loudspeaker, made in 2001.
It doesn't include network and attenuator since it's designed for the multi-amplifier system.
Vented box for woofer.
The midrange unit was changed from full-range direct radiator to horn-loaded midrange in 2012 (Rev. A).
Details
Cable        PS-104 -> PA-210  GRACE genuine cable
(RCA plugs has been replaced) 
Low capacitance cable using LC-OFC. In 2011, the RCA plugs' solder joints corroded and the cable was disconnected. The RCA plugs were replaced with new ones using PTFE insulator. Sound quality has been a bit improved. Details
SCD-555ES -> PA-210 Handmade cable
*Wire: BELDEN 8412
*Plug: Teflon RCA plug
Handmade cable made of balanced type shield wire. Though the RCA plug is a generic one, the insulator material is teflon.
The plug's metal cover is not attached. Shrink tube is applied instead.
Details
PA-210 -> CD-211A Handmade cable
*Wire: BELDEN 8412
*Plug: Teflon RCA plug
Handmade cable composed of balanced type shield wires. One end of the cable is soldered in CD-211A. Details
CD-211A -> MA-208 Handmade cable
*Wire: BELDEN 8412
*Plug: Teflon RCA plug
Handmade cable composed of balanced type shield wires. One end of the cable is soldered in CD-211A.
The wires were Audio Technica AT6A48 when CD-211 was built (2004). They were replaced with BELDEN 8412 in 2008. BELDEN is unquestionably superior.
The metallic cover of the plug was replaced with a thermal shrink tube.
Details
CD-211A -> DAD-M100pro Handmade cable
*Wire: BELDEN 8412
*Plug: Teflon RCA plug
Handmade cable composed of balanced type shield wires. One end of the cable is soldered in CD-211A. Details
CD-211A -> MA-201C Handmade cable
*Wire: BELDEN 8412
*Plug: Teflon RCA plug
Handmade cable composed of balanced type shield wires. One end of the cable is soldered in CD-211A. Details
MA-208 -> SS-309A tweeter Handmade cable
*Wire: 47 Laboratory STRATOS
*Plug: none
Handmade cable made of 0.4mm copper single wires twisted at 30cm pitch. One end of the cable is soldered to the output terminal of MA-208. The other end has no plug and coated with Titan Audio Oil. Details
DAD-M100pro -> SS-309A midrange Handmade cable
*Wire: 47 Laboratory STRATOS
*Plug: none
Handmade cable made of 0.4mm copper single wires twisted at 30cm pitch. The both ends have no connector and coated with Titan Audio Oil. Details
MA-201C -> SS-309A woofer Handmade cable
*Wire: 47 Laboratory STRATOS
*Plug: none
Handmade cable made of 0.65mm copper single wires twisted at 30cm pitch. One end of the cable is soldered to the output terminal of MA-201C. The other end is directly soldered to the terminal of woofer. Details
Room   25m2 living room
Fairly soundproofed.
Slightly live at mid and high frequencies and slightly dead at low frequencies. Almost no standing waves thanks to the slant ceiling.
Acoustics is tuned by using acoustic panels, sound absorbing panels and sound absorbing curtain.
Equipped with outlets for audio equipment; both 100V and 200V. The sockets are for medical use.
Details






Return to the top of this page